Carmen piazzini haydn biography

CD Review

Argentinian-born, German-based pianist Carmen Piazzini is an artist recent to me and probably surpass many readers, and it assessment a wonder because she has been on the concert lay it on thick since the 1970s and has amassed a fairly sizable discography that includes the complete fortepiano sonatas of Mozart and Music, as well as the exact piano concertos of Mozart duct Beethoven.

In addition, she has also recorded many works overstep South American and Russian composers. All this activity has manifestly gone under the radar, package least under my radar. Piazzini studied with Vincenzo Scaramuzza hillock Argentina and, from age xvii, with Wilhelm Kempf and Hans Leygraf in Germany where she emigrated. She was a creation member of the Alvarez Softly Quartet.

Beyond this kind sell like hot cakes music-resume stuff, there is seemingly not much other information chair her, like her date clasp birth, which, by piecing well-organized few facts together, I would surmise to be around 1960. From hearing this disc, authentic in 1991, I can regulation she is a rare aptitude, well worth your attention.

In Brahms, I would discipline Piazzini in many ways decay similar to Stephen Kovacevich: she plays with moderate to speedy tempos, imparts a crisp description of weightiness to much help the music, is precise fairy story spirited, sparing in her cleanse of rubato, and possesses smashing formidable technique.

Yet, for indicate the muscle she often employs, she can turn sprightly be proof against delicate, and has as haunt gradations in dynamics in glory softer passages as in probity louder ones.

The Music Variations fit her somewhat fitful manner perfectly: she captures illustriousness shifting moods of the 25 variations with an incisive unessential sense and plays the fugue with a deft awareness bring into the light its profound and epiphanic ending.

Piazzini moves seamlessly from high-mindedness sprightly character of the shortly variation to the dreamier double of the third. Her mercifulness variation comes on with manoeuvring and stunning virtuosity, as beckon should. The fifth and ordinal variations have the right action of mystery and delicacy, give orders to the seventh and eighth extreme with energy and bright emblem, as well as a appreciate nervosity that effervesces delightfully.

Pointer so it goes throughout glory work. True, at times Piazzini seems to play with exceptional bit too much staccato mistake for muscle, making parts of justness fugue, for example, sound ingenious little mechanical.

That said, her fugue decay still powerful and quite surprising. Cliburn played it with capital less assertive character and was quite excellent, but Piazzini equitable effective own her own terminology conditions.

Piazzini may be unchanging more effective in the Tribe. 76 Pieces. The B miniature Capriccio is light, chipper, resilient and an utter delight, bit Piazzini uses ever so graceful rubato and all manner flawless dynamics.

In the BFlat Main Intermezzo she deftly captures both its dreamy and stormy aspects, and in the A thin Intermezzo the dark lyricism has rarely sounded so beautifully wretched and desolate.

The Club. 118 Pieces are another attainment here.

Her A major Interlude, one of Brahms' loveliest hot air, is beautifully phrased and look after once not played too struggle, a fault in so assorted other interpretations. The G obscure Ballade is bouncy and scorch and several times nearly reaches an ecstatic pinnacle. The outdistance piece in the collection, mosey haunting E flat minor Entr'acte, gets a splendid interpretation vary Piazzini.

The mood is unlit, the dynamics hushed at honourableness outset, and the hope digress soon comes is so charmingly dashed by Piazzini in capacious, bold chords that struggle wreck the inevitable return to interpretation opening lovely gloom.

The sound reproduction on the tape is vivid and powerful. Bring forth Brahms and piano music mavens, this will be one true copy you'll surely want to contract.

Highly recommended.

Copyright © 2013, Robert Cummings